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It also turns out that the makers of the recent documentary Never Sleep Again, which focuses on the history of the original Elm Street series, contracted Peak to do a poster for their film--an immensely smart and classy move, I think, and the results speak for themselves:
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I’m still reeling from the knowledge that the guy behind these incredible illustrations is the son of the artist who created some of the most exciting and influential movie posters ever (Apocalypse Now, Superman: The Movie, Excalibur…he even makes Every Which Way But Loose look epic!), but it makes perfect sense. Check out Matthew Joseph Peak’s website here, and check out the official Bob Peak website here. I would be remiss if I didn’t mention the massive coffee table book of the elder Peak’s work being released this November—it’s available for pre-order on his site. I’ve already ordered mine, and I can’t wait to get my hands on it.
This is an old gripe of mine, but I miss painted movie posters like I would miss an amputated limb. Every trip to the movies is a little bit poorer without the work of guys like Struzan, Amsel, and Peak (junior and senior!) hanging on the walls of the theatre to excite your imagination. A painted poster used to be a key component in the marketing of a motion picture, and now it seems to be an afterthought that’s largely driven by a bunch of marketing guys trying to copy what worked for somebody else. Can you imagine anyone ever marketing Jaws without using John Berkey’s iconic artwork?
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